Free full movies online Anna Karenina The third collaboration of Academy Award nominee Keira Knightley with acclaimed director Joe Wright, following the award-winning box office successes Pride & Prejudice and Atonement, is a bold, theatrical new vision of the epic story of love, adapted from Leo Tolstoy's timeless novel by Academy Award winner Tom Stoppard. The story powerfully explores the capacity for love that surges through the human heart. As Anna (Ms. Knightley) questions her happiness and marriage, change comes to all around her. -- (C) Focus Release Date Anna Karenina Nov 16, 2012 Limited | |
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Actors For Anna Karenina |
Keira Knightley,Jude Law,Aaron Johnson,Matthew MacFadyen,Domhnall Gleeson,Alicia Vikander,Kelly Macdonald,Ruth Wilson,Olivia Williams,Emily Watson,Eric MacLennan,Theo Morrissey,Cecily Morrissey,Freya Galpin,Octavia Morrissey,Beatrice Morrissey,Marine Battier,Guro Nagelhus Schia,Aruhan Galieva,Carl Grose |
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Genres Anna Karenina : Drama,Romance |
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User Ranting Anna Karenina : 3.4 |
User Percentage For Anna Karenina : 60 % |
User Count Like for Anna Karenina : 27,239 |
All Critics Ranting For Anna Karenina : 6.5 |
All Critics Count For Anna Karenina : 156 |
All Critics Percentage For Anna Karenina : 62 % |
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Review For Anna Karenina |
It's a half-success -- a baldly conceptual response to the Leo Tolstoy novel, with a heavy theatrical framework placed around the narrative of girl meets boy, followed by girl meets train. Michael Phillips-Chicago Tribune
In this adaptation, director Joe Wright, plus screenwriter Tom Stoppard, are determined to tame the untameable. And they do. Rick Groen-Globe and Mail
"Anna Karenina," lush as it is, fails to strike a fully human chord. Tom Long-Detroit News
The very picture of noble failure, it's a bright red heart without a beat. Peter Howell-Toronto Star
The metaphorical force of this conceit-insisting on the artifice of the social world that frowns on rapture-is not hard to grasp, but its frailty unsettles some of the actors. Anthony Lane-New Yorker
Thank goodness for Domhnall Gleeson's gentle turn as Oblonsky's friend Levin. The ginger-haired landowner is the movie's warmest figure. Lisa Kennedy-Denver Post
The end result remains quixotically affecting, and more than the sum of its many delirious parts. Rob Humanick-Projection Booth
One of those lovely, nomination-gleaning period pieces that some simply adore. It's got a playful and unique style to it that transcends the charge of it being yet another costume drama. Jason Gorber-Twitch
A clever and gorgeous-looking adaptation of the great novel which intricately combines theater and cinema. Robert Roten-Laramie Movie Scope
Again and again, Anna is bereft, isolated, frightened. That this is more a function of her world than her is a point left to fester: she believes it's them, and then she believes them, that it's her. Cynthia Fuchs-PopMatters
An updated, streamlined version of the Tolstoy classic will appeal to a younger demographic while the oldsters will stick to reading the book. Ron Wilkinson-Monsters and Critics
That train couldn't come fast enough. John Beifuss-Commercial Appeal (Memphis, TN)
It breathes new life into Tolstoy's characters and reignites the passion that generations of readers have felt for them. Sean Means-Salt Lake Tribune
A sumptuous cinematic feast! Kam Williams-AALBC.com
It would be unfair to, ahem, throw the whole movie under the train because of one casting error and a few ill-advised directorial choices. Matt Brunson-Creative Loafing
Like a modern music video, it's more about the look and image than it is about the substance behind all of that. Wright gets swept up in his own visual romance. Kevin Carr-7M Pictures
The actors' passion overrules the filmmakers' artifice. John Wirt-Advocate (Baton Rouge, LA)
It's hard to argue that tackling this story again was necessary, and this version can't be called definitive or revelatory. However, Wright has done an admirable job of investing this tale that's more than a century old with a modern sensibility. Perry Seibert-TV Guide's Movie Guide
(Director Joe) Wright's cinematic choices, unfortunately, keep viewers at arm's length instead of drawing them into the story. Bob Bloom-Journal and Courier (Lafayette, IN)
Where we ought to see a soul-freezing sense of paralysis, followed by a torrent of passion for an inappropriate man, we get a generalized kind of melancholy and neediness suited to Real Housewives of St. Petersburg. Lawrence Toppman-Charlotte Observer
Parse too closely the space between "neat" and "conceptual" and "trick," and there's little emotional truck to all the elaborate conceit. Kimberley Jones-Austin Chronicle
Director Joe Wright's Anna Karenina is a work of art -- technically brilliant, lavishly filmed and visually stunning. Charles Ealy-Austin American-Statesman
Joe Wright's sweeping, dance-of-love adaptation of Anna Karenina is one of the most inventive, visually lush films of the year. Clint O'Connor-Cleveland Plain Dealer
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